You're a Writer With a

Story That Won't Let You Go


Look, I know you.

You're not just someone who "likes to write." You're the person who lies awake thinking about your characters.

Who gets excited about a plot twist in the shower.

Who sees a story in everything and thinks, "I need to write this down."

You're serious about this craft. This isn't just your hobby. No, not anymore. You know deep down it’s your calling. Your purpose. 

But Your Story Is Stuck, and You Know It

Here's what's driving you crazy: You sit down to write, and it's like wrestling with smoke. Your characters feel flat, no matter how much backstory you give them. Your plot makes perfect sense on paper, but dies when you try to write it. You've rewritten that opening chapter or scene so many times you've lost count.

And the worst part? You know your story is good. You can feel it. But somehow, you can't make it work on the page.

Sound familiar?

You're drowning in advice from writing books that contradict each other. You're second-guessing every choice. You're starting to wonder if maybe you just don't have what it takes.


I've Been Exactly Where You Are

I know what it's like to stare at a story that should work but doesn't. I've been the writer sitting in coffee shops, convincing myself that this rewrite would be the one that finally clicked. I've felt that sick feeling when you realize your "brilliant" scene is actually boring as hell.


Hell, I'm still there some days. Right now, I'm adapting my TV series into a YA novel, and some mornings I stare at the screen wondering what the hell I'm doing. (I am probably doing this exact thing right now as you read this.)

But I Also Know What Actually Works

Here's the difference: I learned what was missing in Hollywood writers' rooms. Not from books or blogs, but from breaking story with professionals who had millions of dollars riding on getting it right. When your show fails, people lose their jobs. When your story doesn't work, executives don't just say "nice try"—they say "pass."

That pressure taught me something most writing advice misses: The difference between stories that work and stories that don't isn't talent. It's specific, learnable techniques.

I've been in rooms where executives lean forward and say, "Tell me more." And I've been in rooms where they politely check their phones. I know what separates the two.


Here's How We Fix Your Story (And Stop the Endless Rewriting)

Look, you've tried everything else. You've read the books, taken the courses, joined the writing groups. But you're still stuck because those approaches treat symptoms, not the disease.

Here's what we're going to do differently:

Step 1: Stop Guessing: We diagnose exactly what's broken using the same techniques that work for million-dollar productions

Step 2: Build It Right: We fix the problems with professional methods, not amateur band-aids

Step 3: Make It Sing: You walk away with a story that works the way you always knew it could